Michael Bean | Actor

Michael Bean

UBCP #11415
Canada/USA Dual Citizen

Candace Fulton
Kirk Talent
(604) 682-5351

IMDB: www.imdb.com/name/nm2338670

Download: Michael Bean Resume [PDF]


IMDB: www.imdb.com/name/nm2338670

Download: Michael Bean Resume [PDF]

HEIGHT 6’ 1”
WEIGHT 175 lbs.
EYES brown
HAIR bald (red-brown)

UBCP #11415
Canada/USA Dual Citizen

Candace Fulton
Kirk Talent
(604) 682-5351


Perfect High Principal Lifetime/ Vanessa Parise
The Whispers Principal ABC/ Matt Earl Beesley
Impastor Principal TV Land/ Rob Greenberg
Intruders Principal Fox/Shine America; Eduardo Sanchez
Motive Principal CTV/ABC; Andy Mikita
Gracepoint Actor BBC America; David Petrarca
Arrow Actor CW; John Behring
Falling Skies Principal Dreamworks; Jonathan Frakes
Fringe Actor Warner Bros./Fox; Joe Chapelle
Supernatural Principal Warner Bros.; Phil Sgriccia
Reaper Principal ABC Touchstone; Tom Cherones
Hiccups Actor CTV; Brett Butt
Pretty Little Liars Actor ABC Family; Leslie Gatter
The Guard Actor Brightlight Pictures; Anthony Atkins
Eureka Actor NBC; Andrew Cosby
Smallville Principal Warner Bros.; Terrence O’Hara
Painkiller Jane Principal Insight Films; Michael Robison
The 4400 Actor CBS Paramount; Scott Peters
Three Moons Over Milford Principal Touchstone; Jim Frawley


The Big Year Actor Dreamworks; David Frankel
Jennifers Body Principal Fox Atomic; Karyn Kusama
The Imaginarium of Dr. Parnassus Principal Terry Gilliam
The Day The Earth Stood Still Principal 20th Century Fox; Scott Derrickson
Love Happens Actor Universal Pictures; Brandon Camp
Case 39 Actor Paramount Pictures; Christian Alvart
Small Things Lead Florida State MFA
Breakup Lead Clayton Holmes
Canes Actor Insight Films


Proof Lead Kicking Bee Prods
Shady Business Lead Deep Cove Stage Society
Bash Plays (Neil Labute) Lead Xua Xua Productions
Hard Times Hit Parade Cast Kat Single-Dain/Dusty Flowerpot
TheatreSports Cast Seattle TheatreSports


Scene Study, Larry Moss, Los Angeles, CA
Scene Study, Ben Ratner, Vancouver, BC
Scene Study, Warren Robertson, Vancouver, BC
Acting From Source, Shea Hampton, Vancouver, BC
Improvisation Masterclass, Randy Dixon, Unexpected Productions, Seattle WA


Improvisation, Accents (US Midwest Farm Country, London Upper Class, Cockney, Irish, New England Upper Class), Yoga, Bicycle, Motorcycle (basic), Equestrian (Western-basic), Dance (Contact Improv)


Michael Bean is the owner of Beatty Street Casting Studios, and one of the best respected coaches and acting teachers in Vancouver. A classically trained actor with an extensive film and television resume, Michael is the author of the Confidence on Camera Handbook, now in it’s fourth edition, which is used by many local talent agents as a primer for clients new to the industry. In addition to his adult classes he runs a professional-track film and tv acting studio for kids and teens. Michael brings the same attention to detail as an instructor that he expects from his students, and his teaching style is characterized by an infectious enthusiasm.


Confidence on Camera: Acting for Film & TV

Sharpen your skills with this participant-driven on-camera class, Mondays 6:00-10:00pm, $195/month, eight students maximum. Contact michael (at) michaelbean (dot) ca to arrange an audit or register online now using the button below.

Mondays 6:00-10:00pm

Acting for Film & TV w. Michael Bean | Max 8 Students | Mondays 6:00-10:00pm (4wks) | Next Session September 12th, 19th, 26th and Oct 3rd | $195 incl. GST | Register Now

Payment: To confirm your registration in any class or workshop click the “register now” button to pay with a credit card via PayPal, or call (604) 801-7050 with your credit card info. You may also mail a cheque for the course fee to “Michael Bean, #15/B2 – 788 Beatty St, Vancouver, BC V6B 2M1″.

Cancellation: Students who cancel a minimum of two weeks prior to the start of the class will be refunded 100% of their course fee.

Foundations for Class

These are the foundations of the work we do in class. In brief:

  1. Talent is Practice That Other People Don’t See: We want other people (particularly decision makers) to have that magical “you are so talented” experience of us. When someone shares that they’ve experienced you in a magical way the appropriate response is a simple “thank you [i.e. for sharing your experience]”, without qualifying, apologizing, or taking away the magic in any way. But for ourselves we have to know that there is nothing magical about skilled acting, it’s not something you’re “born with” it’s something that you earn through dedicated practice. Part of the path to being a professional actor (and having other people experience you as magical) is to pull it apart and understand it as a complex set of skills, each of which it is possible to learn and practice.
  2. Expand Your Circle, One Step at a Time: There is a “circle” of characters that you can be successful with, and that’s what you bring to auditions and to set. Even a brand new actor can potentially play a character if it’s close to their familiar “social persona” and range of expression. The most effective way to expand both your range of characters and range of expression is to take on acting challenges that are just one step outside of the “circle”, and the goal in class is to explore together and find some success with each new challenge. When you can take that expectation of success with you into auditions and onto set, it comes across on camera as “confidence”.
  3. Practice Non-Judgement: “You can’t get better and look good at the same time.”* The only way to grow past the limitations of your current “circle” is to risk failure, to fail and to learn from the experience, and to gradually move towards greater success. So how can you make it safe for yourself and others to fail? By practicing non-judgement with yourself and others in class, by actively focusing on showing up and being vulnerable, to allow your authentic self to be seen with all of its bumps and quirks, by doing anything you can to move away from judging yourself or your work as good-or-bad, better-or-worse and to focus instead on anything that brings you closer to a sense of curiousity, exploration and play. Try on the idea that non-judgement might move you towards your goals faster and with more ease, expressiveness and joy. Try on the idea that you might not have to be perfect at any part of acting (including the non-judgement part).
  4. Evaluation: Skilled feedback is important for developing skilled work of any kind, and the expectation in class is that the instructor will offer feedback, support, and suggest a range of clear and effective tools for exploring the many interrelated skills that go into being able to express yourself authentically and tell an engaging story (i.e. skilled acting). Students make an explicit commitment not to offer any evaluative commentary on each others’ acting, to practice remembering that even praise is on the spectrum of good-bad-better-worse and that often the best way to support someone else’s vulnerability is to listen, to offer a supportive and non-judgemental witness.

*Julia Cameron, The Artists Way